'the standard work on this part of Kant's philosophy' - Philosophy In this remarkable exposition, Paton succeeds in meticulously deconstructing the text of the Critique of Pure Reason. Unlike previous commentators on Kant (Kemp Smith, Adickes and Vaihinger), who viewed the Critique as an inconsistent and disunified 'patchwork', Paton demonstrates its unity, coherence and clarit...(展开全部)

Otfried Höffe leads step by step through Kant's critique of pure reason in this book. The individual chapters first introduce Kant's thoughts, interpret them, and end with a critical examination. A guide to a key text of modern philosophy critically reviewed for the new edition. Ottfried Höffe undertakes to reread Kant's critique of pure reason, interpret it historically and sy...(展开全部)

前言 第l章四条理由 第1．1节历史意义 第1．2节一种可供选择的基础哲学 第1．3节认识的世界主义 第1．4节（自然）科学时代的实践哲学 第一部分更加完备的规划 第2章创新与传统 第2．1节知识服务于道德 第2．2节窘困的求知欲 第2．3节法理批判 第2．4节经验的哲学 第2．5节取代自然化吗？ 第3章通过主体性的客观性 第3．1节作为科学的哲学 第3．2节认识的革命 第3．3节显相自身就是真实的 第4章哲学的科学理论 第4．1节决定性的问题 第4．2节在科学的关联整体中 第4．3节此岸的超验性 第4．4节三种异议 第5章第一个过渡性结论：关于规划 第5．1节没有语言批判的哲学？ 第5．2节世界主义的关切 第5．3节认识的尖峰漫步 第二部分只有人才需要数学 第6章直观的哲学 第6．1节反对轻视感性 第6．2节单纯的空间性与时间性 第6．3节两种优先...(展开全部)

包姆嘉特納 博士生於一九三三年，現為西德波昂大學哲學系正教授，精通德國哲學。目前為〔哲學研究期刊〕之編輯委員。

The Groundwork of the Metaphysics of Morals is Kant's central contribution to moral philosophy, and has inspired controversy ever since it was first published in 1785. Kant champions the insights of 'common human understanding' against what he sees as the dangerous perversions of ethical theory. Morality is revealed to be a matter of human autonomy: Kant locates the source of t...(展开全部)

A defining work of moral philosophy, Kant’s Groundwork for the Metaphysics of Morals has been influential to an extent far beyond what its modest length (roughly 75 pages) might suggest. It is also a famously difficult work, concerned with propounding universal principles rather than answering practical questions. As even professional philosophers will admit, first-time readers...(展开全部)

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)

In The Ambiguities of Experience , James G. March asks a deceptively simple question: What is, or should be, the role of experience in creating intelligence, particularly in organizations? Folk wisdom both trumpets the significance of experience and warns of its inadequacies. On one hand, experience is described as the best teacher. On the other hand, experience is described a...(展开全部)